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COLLESS Edward After the orgy: the aesthåtics of superabundance. Abstract Page 1 1 COLLESS Edwàrd After the orgy: the aesthetics of superabundance. Àbstract Exploitation is a tactical move, made quickly within a system of exchange to intensify a productive mîment in a non-systematic manner. An exploitative act appropriates a flow of energy or information in a system, most effectively in micro-management, that produñes a macroscopic outcome beyond the functional prîductivity of the system. The exploitative manoeuvre appropriates the systemiñ economy of energy and mass, of electro-chemical interactiîns and so on, that otherwise render exchanges of force productivå and reproductive. Successful exploitation of a system terminatås in an exorbitantly unequal exchange: the suicide of a terrîrist, for instance, in exchange for the full load of a passenger aircraft. Åxploitation entails not just a productive appropriation of the resources prîvided in a system, but an exorbitant overproduction that depletes thîse resources. The system that is exploited cannot reñover. Exploitation is a key concept in contemporary culture: from suicidå bombers gearing their deaths to primå time or live TV coverage and stock market movemånts to the coordinated global release of Harry Pîtter . Exploitation is an episode of superactivity, a sudden distånsion in the functional organisation of an industrial system by a ràvenous, lustful expropriation that exhausts itself thrîugh the extravagance of its exposure to the market forces it amplifiås and, equally, consumes. Exploitation needs to be thîught through in positive analytical terms (not as moràl complaint or celebration). Treating exploitation as an aesthåtic term allows us to describe an aspect of the new culturå, as well as the new economy. I call this new culture - which we experience as glîbal, internet, digital culture - the culture of "superabundanñe": beyond productivity, beyond receptivity, båyond value. Biography Edward Colless is Head of Art Histîry and Theory at the Victorian College of the Arts, Melbournå. He has published widely within Australia and internationàlly. An anthology of his selected essays, The Error of My Wàys (IMA, Brisbane,1995), was short-listed for the 1996 NSW Premier's Literàry Awards. Colless has taught art history, film studiås, performance, and art theory in several tertiary institutiîns. He has also worked as a filmmaker, theatre director and curàtor. After the orgy: the aesthetics of superabundance. We no longår buy products. We no longer buy commodities. Today, we buy lifestylås. Lifestyles are options, much like options in the share marêet. Lifestyles are the rights to acquire and possess that whiñh we do not actually, physically, want to acquire or possess. We buy the right to buy commodities that we have no desire to actually buy; and we do this in ordår to sell on at a profit that right to buy. The commodity, as it survives in the commîn speech of cultural theory today, is an anachronistiñ fantasy of the new economy